Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 308
... camera from a mount on the jib or by perching himself in the crow's nest . In several shots , we can hardly distinguish sky from ice , except that the ship's topmast casts a divine shadow of a cross on the frozen mass below ( figure 5 ) ...
... camera from a mount on the jib or by perching himself in the crow's nest . In several shots , we can hardly distinguish sky from ice , except that the ship's topmast casts a divine shadow of a cross on the frozen mass below ( figure 5 ) ...
Seite 397
... camera , I claim , will allow us to propose a notion of writing in the digital age that stands before and after inscription : the camera that receives or , rather , gleans ( gathers together and disperses ) is the camera that writes ...
... camera , I claim , will allow us to propose a notion of writing in the digital age that stands before and after inscription : the camera that receives or , rather , gleans ( gathers together and disperses ) is the camera that writes ...
Seite 398
... camera and saying , " And yet it's others I'm interested in , oth- ers I like to film . ... This time , to talk about myself , I thought , ' If we opened people up , we'd find landscapes . If we opened me up , we'd find beaches . " As ...
... camera and saying , " And yet it's others I'm interested in , oth- ers I like to film . ... This time , to talk about myself , I thought , ' If we opened people up , we'd find landscapes . If we opened me up , we'd find beaches . " As ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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