Discourse, Band 33,Ausgabe 32011 |
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Seite 399
... animal ; worse , I am an animal I don't know . And here's Rembrandt's self - portrait , but it's just the same in fact , always a self - portrait . ” The proximity of the camera draws us into the creases and dark spots of her aging hand ...
... animal ; worse , I am an animal I don't know . And here's Rembrandt's self - portrait , but it's just the same in fact , always a self - portrait . ” The proximity of the camera draws us into the creases and dark spots of her aging hand ...
Seite 411
... animal , enlarging the definition of anthropos to the point where it also comprised animals of inferior species ” ( 130 ) . This creates a slippage between species and race , bringing the categories of human and animal into a definite ...
... animal , enlarging the definition of anthropos to the point where it also comprised animals of inferior species ” ( 130 ) . This creates a slippage between species and race , bringing the categories of human and animal into a definite ...
Seite 418
... Animals , Modernity , " explores the representation of animals in early animation in order to retheorize cinema's relationship to concepts of life and move- ment . His research and ... animal studies , and the history and 418 Contributors.
... Animals , Modernity , " explores the representation of animals in early animation in order to retheorize cinema's relationship to concepts of life and move- ment . His research and ... animal studies , and the history and 418 Contributors.
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York