Discourse, Band 33,Ausgabe 32011 |
Im Buch
Ergebnisse 1-3 von 6
Seite 357
... of his warehouse are emptied out . The long arm of the law falls and allows the chaos to expand indefinitely ( fallende Gasarme ; " gas " derives from Greek chaos ) . Georg dashes " to grasp everything ” Mourning Kafka 357.
... of his warehouse are emptied out . The long arm of the law falls and allows the chaos to expand indefinitely ( fallende Gasarme ; " gas " derives from Greek chaos ) . Georg dashes " to grasp everything ” Mourning Kafka 357.
Seite 361
... allows for the mother and the friend to appear directly . 7. Even though Georg is the only character in this story that we witness writing , Stanley Corngold reads the friend in Saint Petersburg as a figure for the writer ( see " In the ...
... allows for the mother and the friend to appear directly . 7. Even though Georg is the only character in this story that we witness writing , Stanley Corngold reads the friend in Saint Petersburg as a figure for the writer ( see " In the ...
Seite 411
... allows Esposito to take up his final task , which is to elaborate and subsequently reverse three key Nazi dispositifs : the double enclosure of the body ( the impris- onment of the body within a larger body ) , the anticipatory suppres ...
... allows Esposito to take up his final task , which is to elaborate and subsequently reverse three key Nazi dispositifs : the double enclosure of the body ( the impris- onment of the body within a larger body ) , the anticipatory suppres ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York