Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 33,Ausgabe 3Indiana University Press, 2011 |
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Seite 397
... Varda's work highly benefits from it . And yet , if " receptacle ” is now aligned with the surface rather than the implement , I cannot help noticing the persistence of a certain separation between reception and writing , the latter ...
... Varda's work highly benefits from it . And yet , if " receptacle ” is now aligned with the surface rather than the implement , I cannot help noticing the persistence of a certain separation between reception and writing , the latter ...
Seite 398
... Varda's most recent film , Les plages d'Agnès ( Beaches of Agnes , 2008 ) , but that is worth mentioning here as we elaborate on a kind of writ- ing that unfolds by a turning inside - out of the visible rather than by virtue of marks ...
... Varda's most recent film , Les plages d'Agnès ( Beaches of Agnes , 2008 ) , but that is worth mentioning here as we elaborate on a kind of writ- ing that unfolds by a turning inside - out of the visible rather than by virtue of marks ...
Seite 405
... Varda does not dream of an archive in which " the trace no longer distinguishes itself from the substrate , " and the singular can coincide only with the instant of indifferentiation , " when the step is still one with the subjectile ...
... Varda does not dream of an archive in which " the trace no longer distinguishes itself from the substrate , " and the singular can coincide only with the instant of indifferentiation , " when the step is still one with the subjectile ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York