Discourse, Band 33,Ausgabe 32011 |
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Seite 298
... second example , however , challenges photography's iconicity : it is a sixty - year - old photograph of a grandmother taken when she was a girl . Her grandchildren behold this image and dis- cern no similarity between it and the “ long ...
... second example , however , challenges photography's iconicity : it is a sixty - year - old photograph of a grandmother taken when she was a girl . Her grandchildren behold this image and dis- cern no similarity between it and the “ long ...
Seite 361
... second - order characters ( in the sense that they don't appear directly in the story , but only in stories that the protagonists relate ) . I will show how Georg's work of mourning slowly undoes this hierarchy and allows for the mother ...
... second - order characters ( in the sense that they don't appear directly in the story , but only in stories that the protagonists relate ) . I will show how Georg's work of mourning slowly undoes this hierarchy and allows for the mother ...
Seite 397
... second mirror placed in the background and doubling the reflective surface of the first . What we see of her face is what is projected from mirror to mirror : it is , indeed , inseparable from the play of refractions that these surfaces ...
... second mirror placed in the background and doubling the reflective surface of the first . What we see of her face is what is projected from mirror to mirror : it is , indeed , inseparable from the play of refractions that these surfaces ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York