Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 20,Ausgabe 3Indiana University Press, 1998 |
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Seite 12
... specific film . Concepts belonging exclusively to the cinema , but which are formed philosophically . Under such conditions , these concepts are not assimilated to technical elements ( tracking shots , false continuity , depth of focus ...
... specific film . Concepts belonging exclusively to the cinema , but which are formed philosophically . Under such conditions , these concepts are not assimilated to technical elements ( tracking shots , false continuity , depth of focus ...
Seite 64
... specific novelistic quality that cinema has produced for the 20th century , as the material and thought of this century . Thus , from the point of view of this both novelistic and nat- ural history , it becomes essential that all the ...
... specific novelistic quality that cinema has produced for the 20th century , as the material and thought of this century . Thus , from the point of view of this both novelistic and nat- ural history , it becomes essential that all the ...
Seite 239
... specific resemblance . This is the movement which Canguilhem sums up , underscoring that in Bergson " resemblance by specification is prolonged in the human invention of the concept which is one with the human invention of the tool ...
... specific resemblance . This is the movement which Canguilhem sums up , underscoring that in Bergson " resemblance by specification is prolonged in the human invention of the concept which is one with the human invention of the tool ...
Inhalt
The Friend | 17 |
The Troublemakers | 23 |
The Grandeur of Yasser Arafat | 30 |
Urheberrecht | |
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