An Essay on the Genius and Writings of Pope ...W.J. and J. Richardson, 1806 - 8 Seiten |
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Seite 69
... rules without genius is of no effect . These choruses are extremely elegant and harmonious ; but are they not chargeable with the fault which Aristotle imputes to many of Euripides , that they are foreign and adventitious to the sub ...
... rules without genius is of no effect . These choruses are extremely elegant and harmonious ; but are they not chargeable with the fault which Aristotle imputes to many of Euripides , that they are foreign and adventitious to the sub ...
Seite 98
... rules , as well as in many happy and beau- tiful illustrations , and applications , of the old ones . We are , indeed , amazed to find such a knowledge of the world , such a maturity of judg- ment , and such a penetration into human ...
... rules , as well as in many happy and beau- tiful illustrations , and applications , of the old ones . We are , indeed , amazed to find such a knowledge of the world , such a maturity of judg- ment , and such a penetration into human ...
Seite 110
... rules of harmony and music . But must a man , therefore , who has an ear , and has studied the rules of music , of necessity , have a voice or hand ? Can no one possibly judge a fiddle , but who is himself a fiddler ? Can no one judge a ...
... rules of harmony and music . But must a man , therefore , who has an ear , and has studied the rules of music , of necessity , have a voice or hand ? Can no one possibly judge a fiddle , but who is himself a fiddler ? Can no one judge a ...
Seite 120
... rules of the Epopea were all drawn from the Iliad and the Odyssey ; and of Tragedy , from the EDIPUS of Sophocles . A petulant rejection , and an implicit veneration , of the rules of the ancient critics , are equally de- structive of ...
... rules of the Epopea were all drawn from the Iliad and the Odyssey ; and of Tragedy , from the EDIPUS of Sophocles . A petulant rejection , and an implicit veneration , of the rules of the ancient critics , are equally de- structive of ...
Seite 121
... rules , where no literary dictator had authority to prescribe . " 1 This liberal and manly censure of critical bi- gotry , extends not to those fundamental and in- dispensable rules which nature and necessity dic- tate , and demand to ...
... rules , where no literary dictator had authority to prescribe . " 1 This liberal and manly censure of critical bi- gotry , extends not to those fundamental and in- dispensable rules which nature and necessity dic- tate , and demand to ...
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Häufige Begriffe und Wortgruppen
Abelard abounds Addison admirable Æneid ancient ANTISTROPHE appear Ariosto bard beautiful Boileau Cant canto celebrated character Chaucer circumstances composition critics Dante Domenichino Dryden Eclogue elegant Eloisa epic epic poetry epistle equal Essay Euripides excellent expressed eyes Fame fancy French genius Georgics grace Greek hath hero Homer honour Horace Iliad imagery images imagination imitated introduced Italian Jane Shore king language lately Latin learned lines lover manner merit Milton mind nature numbers o'er observed opinion Ovid painted Paradise Lost particularly passage passion pathetic perhaps Petrarch piece Pindar poem poesy poet poetical poetry POPE praise prince propriety quæ Quintilian Racine racter reader remarkable Sappho satire says scene sentiments solemn Sophocles speak species Spenser spirit stanza story strokes sublime sylphs Tasso taste tender Theocritus thou thought tion tragedy translated ture verses Virgil Voltaire words writer written
Beliebte Passagen
Seite 7 - Lycidas ? For neither were ye playing on the steep, Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream. Ay me, I fondly dream ! Had ye been there...
Seite 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Seite 145 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Seite 231 - Let wreaths of triumph now my temples twine, (The victor cried) the glorious prize is mine ! While fish in streams, or birds delight in air, Or in a coach and six the British fair, As long as Atalantis shall be read...
Seite 313 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Seite 219 - water glide away, And sip, with nymphs, their elemental tea. The graver prude sinks downward to a gnome, In search of mischief still on earth to roam. The light coquettes in sylphs aloft repair, And sport and flutter in the fields of air.
Seite 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.
Seite 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Seite 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Seite 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.