Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 323
... word and name . In God name is creative because it is word , and God's word is cognizant because it is name . " And he saw that it was good " ; that is : He had cognized it through name . The absolute rela- tion of name to knowledge ...
... word and name . In God name is creative because it is word , and God's word is cognizant because it is name . " And he saw that it was good " ; that is : He had cognized it through name . The absolute rela- tion of name to knowledge ...
Seite 324
Essays, Aphorisms, Autobiographical Writings Walter Benjamin Peter Demetz. infinity of the pure word , the point at which it cannot become finite word and knowledge , are the human name . The theory of proper names is the theory of the ...
Essays, Aphorisms, Autobiographical Writings Walter Benjamin Peter Demetz. infinity of the pure word , the point at which it cannot become finite word and knowledge , are the human name . The theory of proper names is the theory of the ...
Seite 326
... word ; for God was the word . With this word in his mouth and in his heart , the origin of language was as natural , as close , and as easy as a child's game .... " Friedrich Müller , in his poem " Adam's Awakening and First Blissful ...
... word ; for God was the word . With this word in his mouth and in his heart , the origin of language was as natural , as close , and as easy as a child's game .... " Friedrich Müller , in his poem " Adam's Awakening and First Blissful ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing