Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 44
... window with the moist air on rainy days and engraved itself more indelibly in the child's memory than the voice of ... windows often without curtains , from staircases bristling with filth , from cellar windows hung with rags . These ...
... window with the moist air on rainy days and engraved itself more indelibly in the child's memory than the voice of ... windows often without curtains , from staircases bristling with filth , from cellar windows hung with rags . These ...
Seite 63
... window . The side of the writing desk abutted on the wall opposite the window . Sitting and writing at it was the poet , in extreme old age . I was standing to one side when he broke off to give me a small vase , an urn from antiquity ...
... window . The side of the writing desk abutted on the wall opposite the window . Sitting and writing at it was the poet , in extreme old age . I was standing to one side when he broke off to give me a small vase , an urn from antiquity ...
Seite 141
... window , through which I could look down on the dark square . And as I did so from time to time , I noticed that it had a tendency to change with everyone who stepped onto it , as if it formed a figure about him that , clearly , had ...
... window , through which I could look down on the dark square . And as I did so from time to time , I noticed that it had a tendency to change with everyone who stepped onto it , as if it formed a figure about him that , clearly , had ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing