Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 14
... walls . Heraldic and chivalrous obtuseness shone forth wherever possible . In the great hall , however , it was most ceremoniously united with art nouveau . A crude , extravagant ornament stretched with stiff gray - green limbs across ...
... walls . Heraldic and chivalrous obtuseness shone forth wherever possible . In the great hall , however , it was most ceremoniously united with art nouveau . A crude , extravagant ornament stretched with stiff gray - green limbs across ...
Seite 122
... walls are crammed with pictures , drawings , and pasteboard models . They are temple walls to which the children daily donate their own work as gifts to the collective . Red predominates ; they are pervaded by Soviet em- blems and heads ...
... walls are crammed with pictures , drawings , and pasteboard models . They are temple walls to which the children daily donate their own work as gifts to the collective . Red predominates ; they are pervaded by Soviet em- blems and heads ...
Seite 127
... walls are occupied by large pictures of saints . All parts of the wall that are not thus covered with pictures are lined with shining gold - colored tin plate . From the trashily painted ceiling hangs a crystal chandelier . Nevertheless ...
... walls are occupied by large pictures of saints . All parts of the wall that are not thus covered with pictures are lined with shining gold - colored tin plate . From the trashily painted ceiling hangs a crystal chandelier . Nevertheless ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing