Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxxix
... turn , the use of cast iron in building railway stations and exhibition halls , wherever transients gather . Ben- jamin speaks about correspondences where many other Marx- ists would refer to economic basis and cultural superstructure ...
... turn , the use of cast iron in building railway stations and exhibition halls , wherever transients gather . Ben- jamin speaks about correspondences where many other Marx- ists would refer to economic basis and cultural superstructure ...
Seite 213
... turn to poetry and to the translations of Soviet lyric poetry from the most diverse languages with which Das Wort is inundated . Brecht remarks that the authors over there are having a difficult time . " It is taken as deliberate if the ...
... turn to poetry and to the translations of Soviet lyric poetry from the most diverse languages with which Das Wort is inundated . Brecht remarks that the authors over there are having a difficult time . " It is taken as deliberate if the ...
Seite 326
... turn a sign , whereupon they step before man to be named . In an almost sublime way the linguistic community of mute creation with God is thus conveyed in the image of the sign . As the unspoken word in the existence of things falls in ...
... turn a sign , whereupon they step before man to be named . In an almost sublime way the linguistic community of mute creation with God is thus conveyed in the image of the sign . As the unspoken word in the existence of things falls in ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing