Reflections: essays, aphorisms, autobiographical writings |
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Seite 128
One is the vertical coordinate of mealtimes, crossed by the evening horizontal of
the theater. One is never very far from either. Moscow is crammed with pubs and
theaters. Sentries with sweets patrol the street, many of the large grocery stores ...
One is the vertical coordinate of mealtimes, crossed by the evening horizontal of
the theater. One is never very far from either. Moscow is crammed with pubs and
theaters. Sentries with sweets patrol the street, many of the large grocery stores ...
Seite 234
This theater, with its complicated machinery, its gigantic supporting staff, its
sophisticated effects, has become a "means against the producers" not least in
seeking to enlist them in the hopeless competitive struggle in which film and
radio have ...
This theater, with its complicated machinery, its gigantic supporting staff, its
sophisticated effects, has become a "means against the producers" not least in
seeking to enlist them in the hopeless competitive struggle in which film and
radio have ...
Seite 235
interruption of action, on account of which Brecht described his theater as epic,
constantly counteracts an illusion in the* audience. For such illusion is a
hindrance to a theater that proposes to make use of elements of reality in
experimental j ...
interruption of action, on account of which Brecht described his theater as epic,
constantly counteracts an illusion in the* audience. For such illusion is a
hindrance to a theater that proposes to make use of elements of reality in
experimental j ...
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Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 131 |
Urheberrecht | |
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Adalbert Stifter appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht Bolshevik bourgeois bourgeoisie Brecht Cafe called close communication concept creation creative demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling function German give guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mental entity mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political precisely production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing