Reflections: Essays, Aphorisms, Autobiographical Writings |
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Seite xxx
I find it difficult to decide in which way to read the concluding passages of section
14 , where Benjamin speaks of the ... it is impossible to believe that he does not
speak about his own concerns when he describes how the revolutionary artist ...
I find it difficult to decide in which way to read the concluding passages of section
14 , where Benjamin speaks of the ... it is impossible to believe that he does not
speak about his own concerns when he describes how the revolutionary artist ...
Seite xxxii
Hannah Arendt speaks about the importance of the Svend . borg conversations
between the critic Benjamin and the playwright Brecht , but I have to confess that I
feel both exhilarated and depressed by these dialogues in exile , which show ...
Hannah Arendt speaks about the importance of the Svend . borg conversations
between the critic Benjamin and the playwright Brecht , but I have to confess that I
feel both exhilarated and depressed by these dialogues in exile , which show ...
Seite 225
Work itself has its turn to speak . ) And the account it ... Since , on the one hand ,
the newspaper , technically speaking , represents the most important literary
position , but , w on the other , this position is controlled by The Author as
Producer 225.
Work itself has its turn to speak . ) And the account it ... Since , on the one hand ,
the newspaper , technically speaking , represents the most important literary
position , but , w on the other , this position is controlled by The Author as
Producer 225.
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Nutzerbericht - jonfaith - LibraryThingWe can remark in passing that there is no better starting point for thought than laughter. In particular, thought usually has a better chance when one is shaken by laughter than when one’s mind is ... Vollständige Rezension lesen
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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already appears become beginning Benjamin Berlin bourgeois Brecht called character close communication concept concerned course creation criticism dream ends entirely essay example existence experience expression face falls fate feeling finally forces function German give hand human idea important individual interest kind Kraus language later less light linguistic literary living longer look Marxism matter means mental mind moral nature never night object once origin Paris passed perhaps person picture political position present production proletarian question reason relation remain revolutionary Russian seemed seen sense shows side signs situation social speak sphere stands street strike theater things thought tion true turn violence walls whole writing