Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 9
... side it surpassed my graphic fantasies . The city , as it disclosed itself to me in the footsteps of a hermetic tradition that I can trace back at least as far as Rilke and whose guardian at that time was Franz Hessel , was a maze not ...
... side it surpassed my graphic fantasies . The city , as it disclosed itself to me in the footsteps of a hermetic tradition that I can trace back at least as far as Rilke and whose guardian at that time was Franz Hessel , was a maze not ...
Seite 63
... side of the writing desk abutted on the wall opposite the window . Sitting and writing at it was the poet , in extreme old age . I was standing to one side when he broke off to give me a small vase , an urn from antiquity , as a present ...
... side of the writing desk abutted on the wall opposite the window . Sitting and writing at it was the poet , in extreme old age . I was standing to one side when he broke off to give me a small vase , an urn from antiquity , as a present ...
Seite 189
... side of revolu- tion ? In short , have they bound revolt to revolution ? How are we to imagine an existence oriented solely toward Boulevard Bonne - Nouvelle , in rooms by Le Corbusier and Oud ? To win the energies of intoxication for ...
... side of revolu- tion ? In short , have they bound revolt to revolution ? How are we to imagine an existence oriented solely toward Boulevard Bonne - Nouvelle , in rooms by Le Corbusier and Oud ? To win the energies of intoxication for ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing