Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 25
... seen against walls , railway level - crossings , and above all the thresholds that mysteriously divide the districts of a town . The Lichtenstein gate was really such a threshold , be- tween the two West End parks . It was as if in both ...
... seen against walls , railway level - crossings , and above all the thresholds that mysteriously divide the districts of a town . The Lichtenstein gate was really such a threshold , be- tween the two West End parks . It was as if in both ...
Seite 63
... seen for decades and had scarcely ever remembered in that time , tempestuously renewing our friend- ship and brotherhood . But when I awoke it became clear that what despair had brought to light like a detonation was the corpse of that ...
... seen for decades and had scarcely ever remembered in that time , tempestuously renewing our friend- ship and brotherhood . But when I awoke it became clear that what despair had brought to light like a detonation was the corpse of that ...
Seite 138
... seen is like a knife cut . At last I left the hotel , the effects seeming nonexistent or so weak that the precaution of staying at home was unneces- sary . My first port of call was the café on the corner of Canne- bière and Cours ...
... seen is like a knife cut . At last I left the hotel , the effects seeming nonexistent or so weak that the precaution of staying at home was unneces- sary . My first port of call was the café on the corner of Canne- bière and Cours ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing