Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 222
... relations of production of its time ? Does it accept them , is it reactionary - or does it aim at over- throwing them , is it revolutionary ? ” — instead of this question , or at any rate before ... relation between tendency 222 Reflections.
... relations of production of its time ? Does it accept them , is it reactionary - or does it aim at over- throwing them , is it revolutionary ? ” — instead of this question , or at any rate before ... relation between tendency 222 Reflections.
Seite 330
... relation of language : the overprecision that obtains in the tragic relationship between the languages of human speakers . There is a language of sculpture , of painting , of poetry . Just as the language of poetry is partly , if not ...
... relation of language : the overprecision that obtains in the tragic relationship between the languages of human speakers . There is a language of sculpture , of painting , of poetry . Just as the language of poetry is partly , if not ...
Seite 331
... relationship to the doctrine of signs . Without the latter any linguistic philosophy remains entirely fragmen- tary ... relation to signs , but extends more widely , for example , in certain re- spects , to name and judgment . These ...
... relationship to the doctrine of signs . Without the latter any linguistic philosophy remains entirely fragmen- tary ... relation to signs , but extends more widely , for example , in certain re- spects , to name and judgment . These ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing