Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxiv
... profane ( or historical ) and the Messianic ( or divine ) order ; and he bravely demands that a new philosophy of history ( his own ) try to relate the distinct forces in some way to one another . These forces do not move in a consonant ...
... profane ( or historical ) and the Messianic ( or divine ) order ; and he bravely demands that a new philosophy of history ( his own ) try to relate the distinct forces in some way to one another . These forces do not move in a consonant ...
Seite xxxi
... profane illumi- nation , " which emerges here to characterize Surrealist vision , suggests Benjamin's own way of unveiling , in his materialist hermeneutics , how history resides in some of the things of the world and institutions of ...
... profane illumi- nation , " which emerges here to characterize Surrealist vision , suggests Benjamin's own way of unveiling , in his materialist hermeneutics , how history resides in some of the things of the world and institutions of ...
Seite 179
... profane illumination , a materialistic , anthropological inspira- tion , to which hashish , opium , or whatever else can give an introductory lesson . ( But a dangerous one ; and the religious lesson is stricter . ) This profane ...
... profane illumination , a materialistic , anthropological inspira- tion , to which hashish , opium , or whatever else can give an introductory lesson . ( But a dangerous one ; and the religious lesson is stricter . ) This profane ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing