Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 210
... present - can his life be understood . September 27 , Dragør . In a conversation one evening a few days ago , Brecht explained the curious indecision that at pres- ent prevents his making definite plans . The first reason for this ...
... present - can his life be understood . September 27 , Dragør . In a conversation one evening a few days ago , Brecht explained the curious indecision that at pres- ent prevents his making definite plans . The first reason for this ...
Seite 235
... present . At the center of his experiment is man . Present - day man ; a reduced man , therefore , chilled in a chilly environment . Since , however , this is the only one we have , it is in our interest to know him . He is subjected to ...
... present . At the center of his experiment is man . Present - day man ; a reduced man , therefore , chilled in a chilly environment . Since , however , this is the only one we have , it is in our interest to know him . He is subjected to ...
Seite 304
... present within themselves , whereas the notion of analogously reading a person's fate from the lines in his hand seems unacceptable . This appears as impossible as " to predict the future " ; for under this category the foretelling of ...
... present within themselves , whereas the notion of analogously reading a person's fate from the lines in his hand seems unacceptable . This appears as impossible as " to predict the future " ; for under this category the foretelling of ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing