Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 269
... precisely thereby calls it back to its origin . It appears , now with rhyme and reason , sonorously , congruously in the structure of a new text . As rhyme it gathers the similar into its aura ; as name it stands alone and ...
... precisely thereby calls it back to its origin . It appears , now with rhyme and reason , sonorously , congruously in the structure of a new text . As rhyme it gathers the similar into its aura ; as name it stands alone and ...
Seite 283
... precisely -in primitive conditions that know hardly the beginnings of constitutional relations , and even in cases where the victor has established himself in invulnerable possession , a peace cere- mony is entirely necessary . Indeed ...
... precisely -in primitive conditions that know hardly the beginnings of constitutional relations , and even in cases where the victor has established himself in invulnerable possession , a peace cere- mony is entirely necessary . Indeed ...
Seite 315
... precisely in its language— this view , taken as a hypothesis , is the great abyss into which all linguistic theory threatens to fall , and to survive sus- pended precisely over this abyss is its task . The distinction between a mental ...
... precisely in its language— this view , taken as a hypothesis , is the great abyss into which all linguistic theory threatens to fall , and to survive sus- pended precisely over this abyss is its task . The distinction between a mental ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing