Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 269
... origin . It appears , now with rhyme and reason , sonorously , congruously in the structure of a new text . As rhyme it gathers the similar into its aura ; as name it stands alone and expressionless . In quotation the two realms of origin ...
... origin . It appears , now with rhyme and reason , sonorously , congruously in the structure of a new text . As rhyme it gathers the similar into its aura ; as name it stands alone and expressionless . In quotation the two realms of origin ...
Seite 286
... origin . For if violence , violence crowned by fate , is the origin of law , then it may be readily supposed that where the highest violence , that over life and death , occurs in the legal system , the origins of law jut manifestly and ...
... origin . For if violence , violence crowned by fate , is the origin of law , then it may be readily supposed that where the highest violence , that over life and death , occurs in the legal system , the origins of law jut manifestly and ...
Seite 328
... origin of abstraction , too , as a faculty of language - mind , is to be sought in the Fall . For good and evil , being unnamable , nameless , stand outside the language of names , which man leaves behind precisely in the abyss opened ...
... origin of abstraction , too , as a faculty of language - mind , is to be sought in the Fall . For good and evil , being unnamable , nameless , stand outside the language of names , which man leaves behind precisely in the abyss opened ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing