Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 54
... night that followed it I noticed , half asleep , my mother and father coming quietly into my room at an unusual hour . I did not see them lock themselves in ; when I got up next morning there was nothing for breakfast . The house had ...
... night that followed it I noticed , half asleep , my mother and father coming quietly into my room at an unusual hour . I did not see them lock themselves in ; when I got up next morning there was nothing for breakfast . The house had ...
Seite 113
... night , or a girl in a sea - blue dress stands at night beside green flaring bushes , waiting for her lover . No night of terror is as dark as this durable lacquer night in whose womb all that appears in it is enfolded . I saw a box ...
... night , or a girl in a sea - blue dress stands at night beside green flaring bushes , waiting for her lover . No night of terror is as dark as this durable lacquer night in whose womb all that appears in it is enfolded . I saw a box ...
Seite 260
... night , however , is not maternal , or a moonlit , romantic night : it is the hour between sleeping and waking , the night watch , the centerpiece of his threefold solitude : that of the coffeehouse where he is alone with his enemy , of ...
... night , however , is not maternal , or a moonlit , romantic night : it is the hour between sleeping and waking , the night watch , the centerpiece of his threefold solitude : that of the coffeehouse where he is alone with his enemy , of ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing