Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 15
... never need fear / neurasthenía . " If I write better German than most writers of my genera- tion , it is thanks largely to twenty years ' observance of one little rule : never use the word " I " except in letters . The ex- ceptions to ...
... never need fear / neurasthenía . " If I write better German than most writers of my genera- tion , it is thanks largely to twenty years ' observance of one little rule : never use the word " I " except in letters . The ex- ceptions to ...
Seite 248
... never puts forward an opinion . For opinion is false objectivity that can be separated from the person and incorporated in the circulation of commodities . Kraus never offered an argu- ment that had not engaged his whole person . Thus ...
... never puts forward an opinion . For opinion is false objectivity that can be separated from the person and incorporated in the circulation of commodities . Kraus never offered an argu- ment that had not engaged his whole person . Thus ...
Seite 267
... never envisaged the child as the object of education but , in an image from his own youth , as the antagonist of edu ... never been more perfectly distinguished from mind , never more intimately bound to Eros , than by Kraus in the ...
... never envisaged the child as the object of education but , in an image from his own youth , as the antagonist of edu ... never been more perfectly distinguished from mind , never more intimately bound to Eros , than by Kraus in the ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing