Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 245
... moral law acts silently , animating the soul through the infinite intercourse of human beings , and the miracles of the moment when deeds are performed are only small signs of this general power . " Tacitly , in these famous sentences ...
... moral law acts silently , animating the soul through the infinite intercourse of human beings , and the miracles of the moment when deeds are performed are only small signs of this general power . " Tacitly , in these famous sentences ...
Seite 309
... moral philosophy is obliged to demonstrate , only actions and never qualities can be of moral importance . Appearances are ad- mittedly to the contrary . Not just " thievish , " " extravagant , ” " courageous " seem to imply moral ...
... moral philosophy is obliged to demonstrate , only actions and never qualities can be of moral importance . Appearances are ad- mittedly to the contrary . Not just " thievish , " " extravagant , ” " courageous " seem to imply moral ...
Seite 310
... moral character descriptions are to be consigned is shown by comedy . At its center , as the main protagonist in a comedy of character , stands often enough a person whom , if we were confronted by his actions in life instead of by his ...
... moral character descriptions are to be consigned is shown by comedy . At its center , as the main protagonist in a comedy of character , stands often enough a person whom , if we were confronted by his actions in life instead of by his ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing