Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 184
... magical realm of words . And it is as magical experiments with words , not as artistic dabbling , that we must ... magic for- mulas , and concepts are here intermingled is shown by the following words of Apollinaire's from his last ...
... magical realm of words . And it is as magical experiments with words , not as artistic dabbling , that we must ... magic for- mulas , and concepts are here intermingled is shown by the following words of Apollinaire's from his last ...
Seite 317
... magic . At the same time , the notion of the magic of language points to something else : its infiniteness . This is conditional on its immediacy . For just because nothing is communicated through language , what is communicated in ...
... magic . At the same time , the notion of the magic of language points to something else : its infiniteness . This is conditional on its immediacy . For just because nothing is communicated through language , what is communicated in ...
Seite 321
... magical ( for there is also a magic of matter ) . The incom- parable feature of human language is that its magical commu- nity with things is immaterial and purely mental , and the symbol of this is sound . The Bible expresses this ...
... magical ( for there is also a magic of matter ) . The incom- parable feature of human language is that its magical commu- nity with things is immaterial and purely mental , and the symbol of this is sound . The Bible expresses this ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing