Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 115
... living place - but exclu- sively by his relations to the Party . This is also decisive for those who do not directly belong to it . To them , too , jobs are open to the extent that they do not overtly repudiate the regime . Between them ...
... living place - but exclu- sively by his relations to the Party . This is also decisive for those who do not directly belong to it . To them , too , jobs are open to the extent that they do not overtly repudiate the regime . Between them ...
Seite 171
... living room reappears on the street , with chairs , hearth , and altar , so , only much more loudly , the street migrates into the living room . Even the poorest one is as full of wax candles , biscuit saints , sheaves of photos on the ...
... living room reappears on the street , with chairs , hearth , and altar , so , only much more loudly , the street migrates into the living room . Even the poorest one is as full of wax candles , biscuit saints , sheaves of photos on the ...
Seite 297
... living ceases . Mythical violence is bloody power over mere life for its own sake , divine violence pure power over all life for the sake of the living . The first demands sacrifice , the second accepts it . This divine power is ...
... living ceases . Mythical violence is bloody power over mere life for its own sake , divine violence pure power over all life for the sake of the living . The first demands sacrifice , the second accepts it . This divine power is ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing