Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 222
... literary con- nections with undialectical clichés . Very well . But what , then , is the dialectical approach to the ... literary relations of produc- tion of its time . ) It is concerned , in other words , directly with the literary ...
... literary con- nections with undialectical clichés . Very well . But what , then , is the dialectical approach to the ... literary relations of produc- tion of its time . ) It is concerned , in other words , directly with the literary ...
Seite 223
... literary quality , because it includes its lit- erary tendency , I can now formulate this more precisely by say- ing that this literary tendency can consist either in progress or in regression in literary technique . You will certainly ...
... literary quality , because it includes its lit- erary tendency , I can now formulate this more precisely by say- ing that this literary tendency can consist either in progress or in regression in literary technique . You will certainly ...
Seite 224
... literary forms or genres , in view of the technical factors affecting our present situation , if we are to identify the forms of expression that channel the literary energies of the present . There were not always novels in the past ...
... literary forms or genres , in view of the technical factors affecting our present situation , if we are to identify the forms of expression that channel the literary energies of the present . There were not always novels in the past ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing