Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
Im Buch
Ergebnisse 1-3 von 40
Seite 242
... kind so relentlessly pur- sued by Kraus is the label that makes a thought marketable , the way flowery language , as ornament , gives it value for the connoisseur . But for this very reason the liberation of language has become ...
... kind so relentlessly pur- sued by Kraus is the label that makes a thought marketable , the way flowery language , as ornament , gives it value for the connoisseur . But for this very reason the liberation of language has become ...
Seite 334
... kind of similarity : above all , the ability to produce it . Nevertheless we , too , possess a canon according to which the meaning of nonsensuous similarity can be at least partly clarified . And this canon is language . From time ...
... kind of similarity : above all , the ability to produce it . Nevertheless we , too , possess a canon according to which the meaning of nonsensuous similarity can be at least partly clarified . And this canon is language . From time ...
Seite 335
... kind of similarity may be explained not only by the relationships between words meaning the same thing in different languages , just as , in general , our reflections cannot be restricted to the spoken word . They are equally concerned ...
... kind of similarity may be explained not only by the relationships between words meaning the same thing in different languages , just as , in general , our reflections cannot be restricted to the spoken word . They are equally concerned ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
14 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing