Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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... intellectual superstructure . Ben- jamin's dialectic , he added , lacked proper mediation , and his thought inevitably oscillated between " magic and positivism . " I am not in sympathy with Adorno's prescription of what proper Marxism ...
... intellectual superstructure . Ben- jamin's dialectic , he added , lacked proper mediation , and his thought inevitably oscillated between " magic and positivism . " I am not in sympathy with Adorno's prescription of what proper Marxism ...
Seite 228
... intellectual , " as a type defined by his opinions , attitudes , or dispositions , but not by his position in the process of production , leads . He must , as Döblin puts it , find his place beside the prole- tariat . But what kind of ...
... intellectual , " as a type defined by his opinions , attitudes , or dispositions , but not by his position in the process of production , leads . He must , as Döblin puts it , find his place beside the prole- tariat . But what kind of ...
Seite 237
... intellectual hardly ever makes a proletarian . Why ? Because the bourgeois class gave him , in the form of education , a means of production that , owing to educational privilege , makes him feel solidarity with it , and still more it ...
... intellectual hardly ever makes a proletarian . Why ? Because the bourgeois class gave him , in the form of education , a means of production that , owing to educational privilege , makes him feel solidarity with it , and still more it ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing