Reflections: essays, aphorisms, autobiographical writings |
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Seite xxv
In the early passages, the fragment suggests why Benjamin, in search of a sign
system of human experience, is far less ashamed of his intense interest in
graphology (of which he was a gifted practitioner), chiromancy, and physiognomy
than ...
In the early passages, the fragment suggests why Benjamin, in search of a sign
system of human experience, is far less ashamed of his intense interest in
graphology (of which he was a gifted practitioner), chiromancy, and physiognomy
than ...
Seite 318
It holds that the means of communication is the word, its object factual, its
addressee a human being. The other conception of language, in contrast, knows
no means, no object, and no addressee of communication. It means: in naming
the ...
It holds that the means of communication is the word, its object factual, its
addressee a human being. The other conception of language, in contrast, knows
no means, no object, and no addressee of communication. It means: in naming
the ...
Seite 324
infinity of the pure word, the point at which it cannot become finite word and
knowledge, are the human name. The theory of proper names is the theory of the
frontier between finite and infinite language. Of all beings man is the only one
who ...
infinity of the pure word, the point at which it cannot become finite word and
knowledge, are the human name. The theory of proper names is the theory of the
frontier between finite and infinite language. Of all beings man is the only one
who ...
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Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 131 |
Urheberrecht | |
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Adalbert Stifter appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht Bolshevik bourgeois bourgeoisie Brecht Cafe called close communication concept creation creative demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling function German give guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mental entity mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political precisely production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing