Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 79
... hand of the man of letters from the pen only when the precision of typographic forms has directly entered the conception of his books . One might suppose that new systems with more variable typefaces would then be needed . They will ...
... hand of the man of letters from the pen only when the precision of typographic forms has directly entered the conception of his books . One might suppose that new systems with more variable typefaces would then be needed . They will ...
Seite 102
... hands . She is half naked . From her navel rises a strong , well- formed hand . At right and left the two others spread in the gesture of blessing . This threesome of hands is deemed a sym- bol of the Holy Trinity . There was another ...
... hands . She is half naked . From her navel rises a strong , well- formed hand . At right and left the two others spread in the gesture of blessing . This threesome of hands is deemed a sym- bol of the Holy Trinity . There was another ...
Seite 225
... Hand in hand , therefore , with the indiscriminate assimilation of facts , goes the equally indiscriminate assimilation of readers who are in- stantly elevated to collaborators . In this , however , a dialectic moment is concealed : the ...
... Hand in hand , therefore , with the indiscriminate assimilation of facts , goes the equally indiscriminate assimilation of readers who are in- stantly elevated to collaborators . In this , however , a dialectic moment is concealed : the ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing