Reflections: essays, aphorisms, autobiographical writings |
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Seite 307
But an order the sole intrinsic concepts of which are misfortune and guilt, and
within which there is no conceivable path of liberation (for insofar as something is
fate, it is misfortune and guilt) — such an order cannot be religious, no matter
how ...
But an order the sole intrinsic concepts of which are misfortune and guilt, and
within which there is no conceivable path of liberation (for insofar as something is
fate, it is misfortune and guilt) — such an order cannot be religious, no matter
how ...
Seite 308
Law condemns, not to punishment but to guilt. Fate is the guilt context of the living
. It corresponds to the natural condition of the living, that illusion not yet wholly
dispelled from which man is so far removed that, under its rule, he was never ...
Law condemns, not to punishment but to guilt. Fate is the guilt context of the living
. It corresponds to the natural condition of the living, that illusion not yet wholly
dispelled from which man is so far removed that, under its rule, he was never ...
Seite 310
While fate unfolds the immense complexity of the guilty person, the complications
and bonds of his guilt, character gives this mystical enslavement of the person to
the guilt context the answer of genius. Complication becomes simplicity, fate ...
While fate unfolds the immense complexity of the guilty person, the complications
and bonds of his guilt, character gives this mystical enslavement of the person to
the guilt context the answer of genius. Complication becomes simplicity, fate ...
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Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 131 |
Urheberrecht | |
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Adalbert Stifter appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht Bolshevik bourgeois bourgeoisie Brecht Cafe called close communication concept creation creative demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling function German give guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mental entity mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political precisely production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing