Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxiv
... forces do not move in a consonant rhythm , and yet , “ if one arrow points to the goal toward which the profane ... force can , through acting , increase another that is acting in the opposite direction , so the order of the profane ...
... forces do not move in a consonant rhythm , and yet , “ if one arrow points to the goal toward which the profane ... force can , through acting , increase another that is acting in the opposite direction , so the order of the profane ...
Seite xxxi
... forces in particular objects and everyday use ( e.g. , the first iron constructions , early photographs , dresses almost out of fashion ) ; André Breton and his beloved Nadja change into revolutionary resolution , if not action , what ...
... forces in particular objects and everyday use ( e.g. , the first iron constructions , early photographs , dresses almost out of fashion ) ; André Breton and his beloved Nadja change into revolutionary resolution , if not action , what ...
Seite 300
... forces or those earlier suppressed triumph over the hitherto lawmaking violence and thus found a new law , destined in its turn to decay . On the breaking of this cycle maintained by mythical forms of law , on the suspension of law with ...
... forces or those earlier suppressed triumph over the hitherto lawmaking violence and thus found a new law , destined in its turn to decay . On the breaking of this cycle maintained by mythical forms of law , on the suspension of law with ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing