Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 13
... finally came into view , are among the horrors that have embedded themselves most ineradicably in me , that is to say , in my dreams ; and these have taken revenge on the monotony , the cold torpor that overcame me at each crossing of ...
... finally came into view , are among the horrors that have embedded themselves most ineradicably in me , that is to say , in my dreams ; and these have taken revenge on the monotony , the cold torpor that overcame me at each crossing of ...
Seite 110
... finally one of the many is success- ful , proves viable , is adapted , takes place . That nothing turns out as was intended and expected - this banal expression of the reality of life here asserts itself in each individual case so ...
... finally one of the many is success- ful , proves viable , is adapted , takes place . That nothing turns out as was intended and expected - this banal expression of the reality of life here asserts itself in each individual case so ...
Seite 137
... finally , when there is no turn- ing away from them , weariness and torment . By everything that happens , and by what he says and does , the subject is surprised and overwhelmed . His laughter , all his utterances happen to him like ...
... finally , when there is no turn- ing away from them , weariness and torment . By everything that happens , and by what he says and does , the subject is surprised and overwhelmed . His laughter , all his utterances happen to him like ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing