Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 66
... feeling is fear of being recognized by them through contact . The horror that stirs deep in man is an obscure awareness that in him some- thing lives so akin to the animal that it might be recognized . All disgust is originally disgust ...
... feeling is fear of being recognized by them through contact . The horror that stirs deep in man is an obscure awareness that in him some- thing lives so akin to the animal that it might be recognized . All disgust is originally disgust ...
Seite 68
... feeling , dazzled , flutters like a flock of birds in the woman's radiance . And as birds . seek refuge in the leafy recesses of a tree , feelings escape into the shaded wrinkles , the awkward movements and incon- spicuous blemishes of ...
... feeling , dazzled , flutters like a flock of birds in the woman's radiance . And as birds . seek refuge in the leafy recesses of a tree , feelings escape into the shaded wrinkles , the awkward movements and incon- spicuous blemishes of ...
Seite 138
... feeling of loneliness is very quickly lost . My walking stick begins to give me a special pleasure . One be- comes so tender , fears that a shadow falling on the paper might hurt it . The nausea disappears . One reads the notices on the ...
... feeling of loneliness is very quickly lost . My walking stick begins to give me a special pleasure . One be- comes so tender , fears that a shadow falling on the paper might hurt it . The nausea disappears . One reads the notices on the ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing