Reflections: essays, aphorisms, autobiographical writings |
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Seite 240
His most recent portrait characterizes the journalist in the first sentence as "a
person who has little interest either in himself and his own existence, or in the
mere existence of things, but who feels things only in their relationships, above
all ...
His most recent portrait characterizes the journalist in the first sentence as "a
person who has little interest either in himself and his own existence, or in the
mere existence of things, but who feels things only in their relationships, above
all ...
Seite 258
It is, fundamentally, the complete agreement of two forms of existence — life
under the aegis of mere mind or of mere sexuality — in which is founded that
solidarity of the man of letters with the whore to which Baudelaire's existence is
once ...
It is, fundamentally, the complete agreement of two forms of existence — life
under the aegis of mere mind or of mere sexuality — in which is founded that
solidarity of the man of letters with the whore to which Baudelaire's existence is
once ...
Seite 299
The proposition that existence stands higher than a just existence is false and
ignominious, if existence is to mean nothing other than mere life — and it has this
meaning in the argument referred to. It contains a mighty truth, however, ...
The proposition that existence stands higher than a just existence is false and
ignominious, if existence is to mean nothing other than mere life — and it has this
meaning in the argument referred to. It contains a mighty truth, however, ...
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A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 131 |
Urheberrecht | |
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Adalbert Stifter appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht Bolshevik bourgeois bourgeoisie Brecht Cafe called close communication concept creation creative demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling function German give guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mental entity mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political precisely production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing