Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 104
... entirely in the spirit of bourgeois art not only does no harm - it actually brings them closer to this public . For educa- tion in art ( as Proust explains very well from time to time ) is not best promoted by the contemplation of ...
... entirely in the spirit of bourgeois art not only does no harm - it actually brings them closer to this public . For educa- tion in art ( as Proust explains very well from time to time ) is not best promoted by the contemplation of ...
Seite 205
... entirely serious . And to explain this idea he starts from the fiction that Confucius had written a tragedy or Lenin a novel . One would think this in- admissible , he declares , conduct unworthy of them . “ Let us suppose that you read ...
... entirely serious . And to explain this idea he starts from the fiction that Confucius had written a tragedy or Lenin a novel . One would think this in- admissible , he declares , conduct unworthy of them . “ Let us suppose that you read ...
Seite 331
... entirely fragmen- tary , because the relationship between language and sign ( of which that between human language and writing offers only a very particular example ) is original and fundamental . This provides an opportunity to ...
... entirely fragmen- tary , because the relationship between language and sign ( of which that between human language and writing offers only a very particular example ) is original and fundamental . This provides an opportunity to ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing