Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 297
... divine . And the latter constitutes its antithesis in all respects . If mythical violence is lawmaking , divine violence is law - destroying ; if the former sets boundaries , the latter boundlessly destroys them ; if mythical violence ...
... divine . And the latter constitutes its antithesis in all respects . If mythical violence is lawmaking , divine violence is law - destroying ; if the former sets boundaries , the latter boundlessly destroys them ; if mythical violence ...
Seite 300
... divine , will be recognizable as such with certainty , unless it be in incomparable effects , because the expiatory power of vio- lence is not visible to men . Once again all the eternal forms are open to pure divine violence , which ...
... divine , will be recognizable as such with certainty , unless it be in incomparable effects , because the expiatory power of vio- lence is not visible to men . Once again all the eternal forms are open to pure divine violence , which ...
Seite 323
... divine actuality , became knowledge . Man is the knower in the same language in which God is creator . God created ... divine word . The deepest images of this divine word and the point where human language participates most intimately ...
... divine actuality , became knowledge . Man is the knower in the same language in which God is creator . God created ... divine word . The deepest images of this divine word and the point where human language participates most intimately ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing