Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 250
... Demon Have I slept ? I am just falling asleep . -Words in Verse IV It is deeply rooted in Kraus's nature , and it is the stigma of every debate concerning him , that all apologetic arguments miss their mark . The great work of Leopold ...
... Demon Have I slept ? I am just falling asleep . -Words in Verse IV It is deeply rooted in Kraus's nature , and it is the stigma of every debate concerning him , that all apologetic arguments miss their mark . The great work of Leopold ...
Seite 255
... demon is drawn so powerfully by the abyss it represents . By the abyss that , not without reason , he finds most gaping where mind and sexuality meet - in the trial for sexual offenses— and has sounded in these famous words : " A sexual ...
... demon is drawn so powerfully by the abyss it represents . By the abyss that , not without reason , he finds most gaping where mind and sexuality meet - in the trial for sexual offenses— and has sounded in these famous words : " A sexual ...
Seite 260
... demon , of the lecture hall where he is alone with his work . 3. Monster Already the snow falls . -Words in Verse III Satire is the only legitimate form of regional art . This , how- ever , was not what people meant by calling Kraus a ...
... demon , of the lecture hall where he is alone with his work . 3. Monster Already the snow falls . -Words in Verse III Satire is the only legitimate form of regional art . This , how- ever , was not what people meant by calling Kraus a ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing