Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxiii
... creative word in " names " on the threshold between finite and infinite language ; the names he gives to and receives from others may be but a reflection ( Abbild ) of the divine Word , but name giving sustains man's closeness to God's ...
... creative word in " names " on the threshold between finite and infinite language ; the names he gives to and receives from others may be but a reflection ( Abbild ) of the divine Word , but name giving sustains man's closeness to God's ...
Seite 323
... creative omnipo- tence of language it begins , and at the end language as it were assimilates the created , names it . Language is therefore both creative and the finished creation , it is word and name . In God name is creative because ...
... creative omnipo- tence of language it begins , and at the end language as it were assimilates the created , names it . Language is therefore both creative and the finished creation , it is word and name . In God name is creative because ...
Seite 324
... creative , as is expressed by mythological wisdom in the idea ( which doubtless not infrequently comes true ) that a man's name is his fate . The proper name is the communion of man with the creative word of God . ( Not the only one ...
... creative , as is expressed by mythological wisdom in the idea ( which doubtless not infrequently comes true ) that a man's name is his fate . The proper name is the communion of man with the creative word of God . ( Not the only one ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing