Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
Im Buch
Ergebnisse 1-3 von 27
Seite 222
... concept that makes literary products directly accessible to a social , and therefore a materialist analysis . At the same time , the concept of technique provides the dialectical starting point from which the unfruitful antithesis of ...
... concept that makes literary products directly accessible to a social , and therefore a materialist analysis . At the same time , the concept of technique provides the dialectical starting point from which the unfruitful antithesis of ...
Seite 306
... concept of fate is to be attained , therefore , it must be clearly distinguished from that of character , which in turn cannot be achieved until the latter has been more exactly defined . On the basis of this definition the two concepts ...
... concept of fate is to be attained , therefore , it must be clearly distinguished from that of character , which in turn cannot be achieved until the latter has been more exactly defined . On the basis of this definition the two concepts ...
Seite 309
... concept of character will therefore need likewise to be related to a natural sphere and to have no more to do with ethics or morality than fate has with religion . On the other hand , the concept of character will have to be divested of ...
... concept of character will therefore need likewise to be related to a natural sphere and to have no more to do with ethics or morality than fate has with religion . On the other hand , the concept of character will have to be divested of ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing