Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 131
... called , after the barges moored a hundred paces away at the jetty of the old harbor . A vast agglomeration of steps , arches , bridges , turrets , and cel- lars . It seems to be still awaiting its designated use , but it already has it ...
... called , after the barges moored a hundred paces away at the jetty of the old harbor . A vast agglomeration of steps , arches , bridges , turrets , and cel- lars . It seems to be still awaiting its designated use , but it already has it ...
Seite 179
... called " meaning . " Image and language take prece- dence . Saint - Pol Roux , retiring to bed about daybreak , fixes a notice on his door : " Poet at work . " Breton notes : " Quietly . I want to pass where no one yet has passed ...
... called " meaning . " Image and language take prece- dence . Saint - Pol Roux , retiring to bed about daybreak , fixes a notice on his door : " Poet at work . " Breton notes : " Quietly . I want to pass where no one yet has passed ...
Seite 284
... called the lawmaking function , this second will be called the law - preserving function . Since conscription is a case of law- preserving violence that is not in principle distinguished from others , a really effective critique of it ...
... called the lawmaking function , this second will be called the law - preserving function . Since conscription is a case of law- preserving violence that is not in principle distinguished from others , a really effective critique of it ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing