Reflections: essays, aphorisms, autobiographical writings |
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Seite 126
Only toward evening does it become invisible. But then the shortage of housing
in Moscow produces its most astonishing effect. If you wander the streets in the
dusk you see in the large and small houses almost every window brightly lit.
Only toward evening does it become invisible. But then the shortage of housing
in Moscow produces its most astonishing effect. If you wander the streets in the
dusk you see in the large and small houses almost every window brightly lit.
Seite 234
This theater, with its complicated machinery, its gigantic supporting staff, its
sophisticated effects, has become a "means against the producers" not least in
seeking to enlist them in the hopeless competitive struggle in which film and
radio have ...
This theater, with its complicated machinery, its gigantic supporting staff, its
sophisticated effects, has become a "means against the producers" not least in
seeking to enlist them in the hopeless competitive struggle in which film and
radio have ...
Seite 308
in the view of life, as condemned, as having, at bottom, first been condemned and
then become guilty. Goethe summarizes both phases in the words "The poor man
you let become guilty." Law condemns, not to punishment but to guilt. Fate is ...
in the view of life, as condemned, as having, at bottom, first been condemned and
then become guilty. Goethe summarizes both phases in the words "The poor man
you let become guilty." Law condemns, not to punishment but to guilt. Fate is ...
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Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 131 |
Urheberrecht | |
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Adalbert Stifter appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht Bolshevik bourgeois bourgeoisie Brecht Cafe called close communication concept creation creative demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling function German give guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mental entity mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political precisely production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing