Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 14
... art nouveau . A crude , extravagant ornament stretched with stiff gray - green limbs across the paneling of the walls . Refer- ences to objects were no more to be found in it than references to history ; nowhere did it offer the eye the ...
... art nouveau . A crude , extravagant ornament stretched with stiff gray - green limbs across the paneling of the walls . Refer- ences to objects were no more to be found in it than references to history ; nowhere did it offer the eye the ...
Seite 154
... . The real meaning of art nouveau is not expressed in this ideology . It represents art's last attempt to escape from its ivory tower , which is besieged by technology . Art nouveau mobilizes all the reserves of 154 Reflections.
... . The real meaning of art nouveau is not expressed in this ideology . It represents art's last attempt to escape from its ivory tower , which is besieged by technology . Art nouveau mobilizes all the reserves of 154 Reflections.
Seite 155
... art nouveau . In orna- mentation it strives to win back these forms for art . Concrete offers it the prospect of new plastic possibilities in architecture . About this time the real center of gravity of living space is transferred to ...
... art nouveau . In orna- mentation it strives to win back these forms for art . Concrete offers it the prospect of new plastic possibilities in architecture . About this time the real center of gravity of living space is transferred to ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing