Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 146
... Arcades De ces palais les colonnes magiques A l'amateur montrent de toutes parts Dans les objets qu'étalent leurs portiques Que l'industrie est rivale aux arts . -Nouveaux tableaux de Paris ( 1828 ) Most of the Paris arcades are built ...
... Arcades De ces palais les colonnes magiques A l'amateur montrent de toutes parts Dans les objets qu'étalent leurs portiques Que l'industrie est rivale aux arts . -Nouveaux tableaux de Paris ( 1828 ) Most of the Paris arcades are built ...
Seite 147
... arcade of this kind is a city , indeed , a world in minia- ture . " The arcades are the scene of the first gas lighting . The second condition for the construction of the arcades is the advent of building in iron . The Empire saw in ...
... arcade of this kind is a city , indeed , a world in minia- ture . " The arcades are the scene of the first gas lighting . The second condition for the construction of the arcades is the advent of building in iron . The Empire saw in ...
Seite 149
... arcades in Thérèse Raquin . Marx defends Fourier to Carl Grün , emphasizing his " colossal vision of man . " He also draws attention to Fourier's humor . And in fact Jean Paul in Levana is as closely related to Fourier the pedagogue as ...
... arcades in Thérèse Raquin . Marx defends Fourier to Carl Grün , emphasizing his " colossal vision of man . " He also draws attention to Fourier's humor . And in fact Jean Paul in Levana is as closely related to Fourier the pedagogue as ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing