Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
Im Buch
Ergebnisse 1-3 von 59
Seite 154
... appears its goal . Individualism is its theory . In Vandervelde the house appears as the expression of personality . Ornament is to this house what the signature is to a painting . The real meaning of art nouveau is not expressed in ...
... appears its goal . Individualism is its theory . In Vandervelde the house appears as the expression of personality . Ornament is to this house what the signature is to a painting . The real meaning of art nouveau is not expressed in ...
Seite 235
... appears — a situation that , in this or that form , is always ours . It is not brought home to the spectator but distanced from him . He recognizes it as the real situation , not with satisfaction , as in the theater of nat- uralism ...
... appears — a situation that , in this or that form , is always ours . It is not brought home to the spectator but distanced from him . He recognizes it as the real situation , not with satisfaction , as in the theater of nat- uralism ...
Seite 304
... appears as impossible as " to predict the future " ; for under this category the foretelling of fate is unceremoniously subsumed , while character appears as something existing in the present and the past and therefore as perceptible ...
... appears as impossible as " to predict the future " ; for under this category the foretelling of fate is unceremoniously subsumed , while character appears as something existing in the present and the past and therefore as perceptible ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
14 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing