Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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... Paris vécu . " Lived Berlin " does not sound so good but is as real . And it is not just this title that concerns me here ; Paris itself is the fourth in the series of voluntary or involuntary guides that began with my nursemaids . If I ...
... Paris vécu . " Lived Berlin " does not sound so good but is as real . And it is not just this title that concerns me here ; Paris itself is the fourth in the series of voluntary or involuntary guides that began with my nursemaids . If I ...
Seite 146
... Paris ( 1828 ) Most of the Paris arcades are built in the decade and a half after 1822. The first condition for this new fashion is the boom in the textile trade . The magasins de nouveauté , the first es- tablishments to keep large ...
... Paris ( 1828 ) Most of the Paris arcades are built in the decade and a half after 1822. The first condition for this new fashion is the boom in the textile trade . The magasins de nouveauté , the first es- tablishments to keep large ...
Seite 160
... Paris thus lose their individual physiognomies . The red belt is formed . Haussmann gave himself the name of " artist in demolition . " He felt him- self called to his work and stresses this in his memoirs . Mean- while , he estranges ...
... Paris thus lose their individual physiognomies . The red belt is formed . Haussmann gave himself the name of " artist in demolition . " He felt him- self called to his work and stresses this in his memoirs . Mean- while , he estranges ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing