Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
Im Buch
Ergebnisse 1-3 von 11
Seite 205
... Kafka . To which of the two groups does he be- long ? I know , the question cannot be decided . And this very thing is for Brecht a sign that Kafka , whom he considers a great writer , like Kleist , Grabbe , or Büchner , is a failure ...
... Kafka . To which of the two groups does he be- long ? I know , the question cannot be decided . And this very thing is for Brecht a sign that Kafka , whom he considers a great writer , like Kleist , Grabbe , or Büchner , is a failure ...
Seite 207
... Kafka essay , for example — he was concerned with Kafka merely from the phenomenal point of view - took the work as something that had grown by itself— the man , too - severed all its connections , even that with its author . It was ...
... Kafka essay , for example — he was concerned with Kafka merely from the phenomenal point of view - took the work as something that had grown by itself— the man , too - severed all its connections , even that with its author . It was ...
Seite 208
... Kafka was not so successful : I could not rebut the charge that it consisted of diarylike notes . Discus- sion within the frontier zone designated by Kraus , and in an- other way by Kafka , did indeed interest me . I had not yet , I ...
... Kafka was not so successful : I could not rebut the charge that it consisted of diarylike notes . Discus- sion within the frontier zone designated by Kraus , and in an- other way by Kafka , did indeed interest me . I had not yet , I ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
14 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing