Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxiii
... God's creative energies and defines his particular mode of being ; " of all beings man is the only one who himself names his own kind , as he is the only one whom God did not name . " To name is man's particular fate ; he alone among ...
... God's creative energies and defines his particular mode of being ; " of all beings man is the only one who himself names his own kind , as he is the only one whom God did not name . " To name is man's particular fate ; he alone among ...
Seite 323
... God name is creative because it is word , and God's word is cognizant because it is name . " And he saw that it was good " ; that is : He had cognized it through name . The absolute rela- tion of name to knowledge exists only in God ...
... God name is creative because it is word , and God's word is cognizant because it is name . " And he saw that it was good " ; that is : He had cognized it through name . The absolute rela- tion of name to knowledge exists only in God ...
Seite 324
... God . ( Not the only one , however ; man knows a further linguistic communion with God's word . ) Through the word man is bound to the language of things . The human word is the name of things . Hence it is no longer conceivable , as ...
... God . ( Not the only one , however ; man knows a further linguistic communion with God's word . ) Through the word man is bound to the language of things . The human word is the name of things . Hence it is no longer conceivable , as ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing