Reflections: essays, aphorisms, autobiographical writings |
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Brecht comes and stands in an artful, crushed posture in front of the armchair in
which I am sitting — he is imitating 'the state' — and says, with a sidelong squint
at imaginary clients; " 'I know, I ought to be abolished.' " A conversation on the ...
Brecht comes and stands in an artful, crushed posture in front of the armchair in
which I am sitting — he is imitating 'the state' — and says, with a sidelong squint
at imaginary clients; " 'I know, I ought to be abolished.' " A conversation on the ...
Seite 216
Finally, Brecht emphasized that we were injured inwardly by this regression. "We
have paid for our position; we are covered with scars. It is natural that we are also
particularly sensitive." Toward evening Brecht found me in the garden reading ...
Finally, Brecht emphasized that we were injured inwardly by this regression. "We
have paid for our position; we are covered with scars. It is natural that we are also
particularly sensitive." Toward evening Brecht found me in the garden reading ...
Seite 217
essays, aphorisms, autobiographical writings Walter Benjamin, Peter Demetz.
Lukacs is an adoptive German. He has almost completely run out of wind." In the
Best Tales of the Robber Woynok by Seghers, Brecht praised the signs it gave
that ...
essays, aphorisms, autobiographical writings Walter Benjamin, Peter Demetz.
Lukacs is an adoptive German. He has almost completely run out of wind." In the
Best Tales of the Robber Woynok by Seghers, Brecht praised the signs it gave
that ...
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Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 131 |
Urheberrecht | |
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Adalbert Stifter appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht Bolshevik bourgeois bourgeoisie Brecht Cafe called close communication concept creation creative demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling function German give guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mental entity mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political precisely production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing