Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 213
... Brecht remarks that the authors over there are having a difficult time . " It is taken as deliberate if the name Stalin does not appear in a poem . " June 29. Brecht speaks of the epic theater ; he mentions the children's theater in ...
... Brecht remarks that the authors over there are having a difficult time . " It is taken as deliberate if the name Stalin does not appear in a poem . " June 29. Brecht speaks of the epic theater ; he mentions the children's theater in ...
Seite 215
... Brecht and Heine were the only German lyric poets he favored . ( Brecht occasionally alluded to a certain man in the Central Committee who supported him . ) July 25. Yesterday morning Brecht came over to show me his Stalin poem ...
... Brecht and Heine were the only German lyric poets he favored . ( Brecht occasionally alluded to a certain man in the Central Committee who supported him . ) July 25. Yesterday morning Brecht came over to show me his Stalin poem ...
Seite 216
... Brecht emphasized that we were in- jured inwardly by this regression . " We have paid for our posi- tion ; we are covered with scars . It is natural that we are also particularly sensitive . " Toward evening Brecht found me in the ...
... Brecht emphasized that we were in- jured inwardly by this regression . " We have paid for our posi- tion ; we are covered with scars . It is natural that we are also particularly sensitive . " Toward evening Brecht found me in the ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Benjamin Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marseilles Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing